In Part II, I’m going to take a look at three reasons I would turn work away, regardless of how badly I needed the money.
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Many of us classical musicians are programmed from the get go to pursue traditional careers. This can result in many talented people questioning whether or not the classical dream was really theirs in the first place.
I'm discovering that almost everyone has a part-time or side gig to supplement their freelancing career. Maybe I'm new at this myself and I'm still learning interviewing skills, but why don't musicians feel comfortable talking about their side gigs?